'cantata nº 84 de bach abd partitura'
1308 pieces found
Results 1 - 20
- Cantata No. 5
Vocal score "Wo soll ich fliehen hin" is a hymn in seven stanzas by the German Baroque poet, Lutheran minister and hymn-writer Johann Heermann. It was first published in 1630 during the Thirty Years' War. It is a...
- Composer
- Johann Sebastian Bach
- Instruments
- Voice, Piano, Keyboard
- Opus
- BWV 5
- Cantata No. 5
Full score "Wo soll ich fliehen hin" is a hymn in seven stanzas by the German Baroque poet, Lutheran minister and hymn-writer Johann Heermann. It was first published in 1630 during the Thirty Years' War. It is a...
- Composer
- Johann Sebastian Bach
- Instruments
- Voice, Orchestra
- Opus
- BWV 5
- Cantata No. 5
- Cantata No. 1
Full score "Wie schön leuchtet der Morgenstern" is a hymn by Philipp Nicolai written in 1597 and first published in 1599.
- Composer
- Johann Sebastian Bach
- Instruments
- Voice, Orchestra
- Opus
- BWV 1
- Cantata No. 1
- Cantata No. 1
Vocal score "Wie schön leuchtet der Morgenstern" is a hymn by Philipp Nicolai written in 1597 and first published in 1599.
- Composer
- Johann Sebastian Bach
- Instruments
- Voice, Keyboard, Piano
- Opus
- BWV 1
- Cantata No. 1
- Cantata No. 3
Vocal score Ach Gott, wie manches Herzeleid, BWV 3, is a church cantata by Johann Sebastian Bach. He composed the chorale cantata in Leipzig for the Second Sunday after Epiphany and first performed it on 14 Janua...
- Composer
- Johann Sebastian Bach
- Instruments
- Voice, Keyboard, Piano
- Opus
- BWV 3
- Cantata No. 3
- Cantata No. 6
Vocal score Bleib bei uns, denn es will Abend werden, BWV 6, is a cantata by Johann Sebastian Bach for use in a Lutheran service. He composed it in Leipzig in 1725 for Easter Monday and first performed it on 2 Ap...
- Composer
- Johann Sebastian Bach
- Instruments
- Voice, Piano, Keyboard
- Opus
- BWV 6
- Cantata No. 7
Vocal score "Christ unser Herr zum Jordan kam" is a Lutheran hymn about baptism by Martin Luther, written in 1541 and published in 1543. It has been set in many musical compositions, including cantatas and choral...
- Composer
- Johann Sebastian Bach
- Instruments
- Voice, Keyboard, Piano
- Opus
- BWV 7
- Cantata No. 7
- Cantata No. 8
Vocal score "Liebster Gott, wann werd ich sterben" werd' or wird instead of werd. Title ending on a question mark.
- Composer
- Johann Sebastian Bach
- Instruments
- Voice, Piano, Keyboard
- Opus
- BWV 8
- Cantata No. 8
- Cantata No. 10
Vocal score Meine Seele erhebt den Herren is Martin Luther's translation of the Magnificat canticle. It is traditionally sung to a German variant of the tonus peregrinus, a rather exceptional psalm tone in Gregor...
- Composer
- Johann Sebastian Bach
- Instruments
- Voice, Keyboard, Piano
- Opus
- BWV 10
- Cantata No. 10
- Cantata No. 3
Full score Ach Gott, wie manches Herzeleid, BWV 3, is a church cantata by Johann Sebastian Bach. He composed the chorale cantata in Leipzig for the Second Sunday after Epiphany and first performed it on 14 Janua...
- Composer
- Johann Sebastian Bach
- Instruments
- Voice, Orchestra
- Opus
- BWV 3
- Cantata No. 3
- Cantata No. 6
Full score Bleib bei uns, denn es will Abend werden, BWV 6, is a cantata by Johann Sebastian Bach for use in a Lutheran service. He composed it in Leipzig in 1725 for Easter Monday and first performed it on 2 Ap...
- Composer
- Johann Sebastian Bach
- Instruments
- Voice, Orchestra
- Opus
- BWV 6
- Cantata No. 6
- Cantata No. 7
Full score "Christ unser Herr zum Jordan kam" is a Lutheran hymn about baptism by Martin Luther, written in 1541 and published in 1543. It has been set in many musical compositions, including cantatas and choral...
- Composer
- Johann Sebastian Bach
- Instruments
- Voice, Orchestra
- Opus
- BWV 7
- Cantata No. 7
- Cantata No. 8
Full score "Liebster Gott, wann werd ich sterben" werd' or wird instead of werd. Title ending on a question mark.
- Composer
- Johann Sebastian Bach
- Instruments
- Voice, Orchestra
- Opus
- BWV 8
- Cantata No. 10
Full score Meine Seele erhebt den Herren is Martin Luther's translation of the Magnificat canticle. It is traditionally sung to a German variant of the tonus peregrinus, a rather exceptional psalm tone in Gregor...
- Composer
- Johann Sebastian Bach
- Instruments
- Voice, Orchestra
- Opus
- BWV 10
- Cantata No. 10
- Cantata No. 11
Vocal score Lobet Gott in seinen Reichen, BWV 11, known as the Ascension Oratorio, is an oratorio by Johann Sebastian Bach, marked by him as Oratorium In Festo Ascensionis Xsti, probably composed in 1735 for the ...
- Composer
- Johann Sebastian Bach
- Instruments
- Voice, SATB, Keyboard, Piano
- Opus
- BWV 11
- Cantata No. 11
- Cantata No. 12
Vocal score Weinen, Klagen, Sorgen, Zagen, BWV 12, is a church cantata by Johann Sebastian Bach. He composed it in Weimar for Jubilate, the third Sunday after Easter, and led the first performance on 22 April 171...
- Composer
- Johann Sebastian Bach
- Instruments
- Voice, Keyboard, Piano
- Opus
- BWV 12
- Cantata No. 12
- Cantata No. 13
Vocal score Meine Seufzer, meine Tränen, BWV 13, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for the second Sunday after Epiphany and first performed it on 20 January 1726.
- Composer
- Johann Sebastian Bach
- Instruments
- Voice, Keyboard, Piano
- Opus
- BWV 13
- Cantata No. 13
- Cantata No. 14
Vocal score "Wär Gott nicht mit uns diese Zeit" is a Lutheran hymn, with words written by Martin Luther based on the Psalm 124. The hymn in three stanzas of seven lines each was first published in 1524. It was tr...
- Composer
- Johann Sebastian Bach
- Instruments
- Voice, Keyboard, Piano
- Opus
- BWV 14
- Cantata No. 14
- Cantata No. 16
Vocal score "Herr Gott, dich loben wir" is a Lutheran hymn, which Martin Luther wrote in 1529 as a translation and partial paraphrase of the Latin Te Deum. It is sometimes called the German Te Deum. The hymn was ...
- Composer
- Johann Sebastian Bach
- Instruments
- Voice, Keyboard, Piano
- Opus
- BWV 16
- Cantata No. 16
- Cantata No. 17
Vocal score Johann Sebastian Bach composed the church cantata Wer Dank opfert, der preiset mich, BWV 17} in Leipzig for the fourteenth Sunday after Trinity and first performed it on 22 September 1726.
- Composer
- Johann Sebastian Bach
- Instruments
- Voice, Keyboard, Piano
- Opus
- BWV 17